Glass Artworks Data
glass artworks.py
glassartworks = {
12327: {
"title":"Tarnaby - Sweden",
"artist":"Holly Grace",
"year":2008,
"short_desc":"Mouth-blown glass bottles, sandblasted and with glass powder and metal leaf",
"sizing_cm": {
"width":113.5,
"height":44,
"depth":9
},
"series":[],
"currently_available": False,
"rental_annual_AUD":1100,
"long_desc":"Holly Grace is a glass artist whose delicate hand painted works exhibit her fascination with the landscape. Glass, for Grace, acts as \"the dividing line between the urban and natural landscapes\" and recalls her early enjoyment of the Western Australian landscape through windows, acting as a \"transparent division between the controlled and uncontrolled\". In her works, Grace continues this division by etching, blasting and painting on the interior glass of each vessel. In these works, she depicts the soft golden translucent hues of the landscape surrounding Tarnaby, a town in the north of Sweden. Ethereally blissful in colour and composition Grace uses the organic glass forms to mimic the undulating mountains of Tarnaby, their open stems acting as soaring peaks above the valleys below.",
"img_url":"https://digisoln.com/resources/glassartworks/12327jpeg_front.1280x1280.jpg"
},
11750: {
"title":"Sublimation",
"artist":"Matthew Larwood",
"year":2006,
"short_desc":"Hand-blown glass",
"sizing_cm": {
"width":384,
"height":19,
"depth":45
},
"series":[],
"currently_available": False,
"rental_annual_AUD":935,
"long_desc":"Matthew Larwood's glassworks explore a theme of \"progressive imagery\". In 'Sublimation' a series of seventeen hand-blown glass vessels line a plinth each with minor colour differences. On mass they depict the transition from white to black. Larwood states: \"This body of work continues my exploration into morphology, the art of subtle change. I employ production-based techniques to reproduce most design elements of the same piece each time, varying only one aspect. Each component can be viewed individually, however it is the overall effect, which provides most interest or intrigue.\" Although the outcome of the piece is predetermined, Larwood's method of working by hand encourages an element of spontaneity.",
"img_url":"https://digisoln.com/resources/glassartworks/11750jpeg.jpg"
},
11176: {
"title":"Spanish Vessel",
"artist":"Peter Walsh",
"year":2002,
"short_desc":"Blown and acid etched glass",
"sizing_cm": {
"width":20,
"height":66,
"depth":20
},
"series":[],
"currently_available": False,
"rental_annual_AUD":550,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/11176jpeg.JPG"
},
10985: {
"title":"Vanitas Vessel",
"artist":"Peter Walsh",
"year":2002,
"short_desc":"Blown and acid etched glass",
"sizing_cm": {
"width":28.5,
"height":65.5,
"depth":22.5
},
"series":[],
"currently_available": False,
"rental_annual_AUD":605,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10985jpeg.JPG"
},
10910: {
"title":"Blue on Green Bullet",
"artist":"Elizabeth Kelly",
"year":2001,
"short_desc":"Blown and acid etched glass",
"sizing_cm": {
"width":10.5,
"height":38,
"depth":10.5
},
"series":[10910,10909],
"currently_available": False,
"rental_annual_AUD":550,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10910jpeg.JPG"
},
10909: {
"title":"Green on Green Bullet",
"artist":"Elizabeth Kelly",
"year":2001,
"short_desc":"Hand blown glass, acid finish",
"sizing_cm": {
"width":15.5,
"height":55,
"depth":15.5
},
"series":[10910,10909],
"currently_available": False,
"rental_annual_AUD":550,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10909jpeg.JPG"
},
10908: {
"title":"Grey and creme flat vase",
"artist":"Mark Thiele",
"year":2002,
"short_desc":"Blown and acid etched glass",
"sizing_cm": {
"width":21,
"height":50,
"depth":13.5
},
"series":[10908,10907,10804],
"currently_available": False,
"rental_annual_AUD":495,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10908jpeg.JPG"
},
10907: {
"title":"Grey and black flat vase",
"artist":"Mark Thiele",
"year":2002,
"short_desc":"Blown and acid etched glass",
"sizing_cm": {
"width":21,
"height":57.5,
"depth":12
},
"series":[10908,10907,10804],
"currently_available": False,
"rental_annual_AUD":495,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10907jpeg.JPG"
},
10806: {
"title":"Green Form #1 Surface Murrini",
"artist":"Brenden Scott French",
"year":2001,
"short_desc":"Blown and wheel cut glass",
"sizing_cm": {
"width":19,
"height":46.5,
"depth":19
},
"series":[],
"currently_available": True,
"rental_annual_AUD":550,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10806jpeg.JPG"
},
10805: {
"title":"Black Form #2 Surface Black",
"artist":"Brenden Scott French",
"year":2001,
"short_desc":"Blown and wheel cut glass",
"sizing_cm": {
"width":19.5,
"height":51.5,
"depth":19.5
},
"series":[],
"currently_available": True,
"rental_annual_AUD":495,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10805jpeg.JPG"
},
10804: {
"title":"Ash",
"artist":"Mark Thiele",
"year":2002,
"short_desc":"Blown and acid etched glass",
"sizing_cm": {
"width":18,
"height":53.5,
"depth":18
},
"series":[10908,10907,10804],
"currently_available": False,
"rental_annual_AUD":495,
"long_desc":"Born in 1970 in Murray Bridge, South Australia, Mark Thiele completed a Bachelor of Visual Arts (Honours) at the Australian National University, known for its glassblowing studios, in 1998. He worked as a Design Associate in Adelaide's renowned Jam Factory Contemporary Craft and Design Centre before founding his own glass studio. The colours and contours in Thiele's blown forms are drawn from the Australian outback. In 'Ash', dark striations run vertically, cut across by rich brown marks like tracks in the dirt. Whereas glass is usually glossy, Thiele has worked it to a matt surface, creating unusual surface patterns and textures.",
"img_url":"https://digisoln.com/resources/glassartworks/10804jpeg.JPG"
},
10621: {
"title":"Pink Murrine Vessel",
"artist":"Keith John Rowe",
"year":2001,
"short_desc":"Murrine glass",
"sizing_cm": {
"width":29,
"height":35,
"depth":29
},
"series":[],
"currently_available": True,
"rental_annual_AUD":605,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10621jpeg.JPG"
},
10620: {
"title":"Transition Series No. 28",
"artist":"Maureen Williams",
"year":2001,
"short_desc":"Blown glass",
"sizing_cm": {
"width":23.5,
"height":56,
"depth":23.5
},
"series":[10620,10619],
"currently_available": True,
"rental_annual_AUD":990,
"long_desc":"Maureen Williams uses the blown glass vessel as a three-dimensional canvas for her abstract paintings and as a vehicle to express personal narratives. Of these works she has said: \"The paintings reflect the shapes of life and dreaming and the interaction between these. The images are in fact those of my dreams and reflect my philosophy of being or my abstract notion of reality as imagery. The paintings are about the relationship between things, about social relations and how things touch and bump and move and go away again, and some never touch at all. The interaction of the shapes is based on the transitional nature of relationships, a metaphor for social interaction.\"",
"img_url":"https://digisoln.com/resources/glassartworks/10620jpeg.JPG"
},
10619: {
"title":"Transition Series No. 21",
"artist":"Maureen Williams",
"year":2001,
"short_desc":"Blown glass",
"sizing_cm": {
"width":23.5,
"height":54,
"depth":23.5
},
"series":[10620,10619],
"currently_available": True,
"rental_annual_AUD":990,
"long_desc":"Maureen Williams uses the blown glass vessel as a three-dimensional canvas for her abstract paintings and as a vehicle to express personal narratives. Of these works she has said: \"The paintings reflect the shapes of life and dreaming and the interaction between these. The images are in fact those of my dreams and reflect my philosophy of being or my abstract notion of reality as imagery. The paintings are about the relationship between things, about social relations and how things touch and bump and move and go away again, and some never touch at all. The interaction of the shapes is based on the transitional nature of relationships, a metaphor for social interaction.\"",
"img_url":"https://digisoln.com/resources/glassartworks/10619jpeg.JPG"
},
10601: {
"title":"Teddy Vessel",
"artist":"Peter Walsh",
"year":1999,
"short_desc":"Hand-blown glass, etched and sand-blasted",
"sizing_cm": {
"width":23.5,
"height":48,
"depth":23.5
},
"series":[],
"currently_available": True,
"rental_annual_AUD":385,
"long_desc":"Peter Walsh (b. 1958 d. 2009, Adelaide) had a distinguished career that spanned acting, music and visual art. His visual art was characterised by a loose and expressive figuration that owed much to the punk aesthetic of the eighties and nineties and to surrealism. He experimented in a number of media and Artbank holds a good collection of his diverse practice. Walsh has likened the experience of the painter to a ship moving across the sea, 'where the act of painting takes him on a journey ... he arrives with anxieties and leaves, it is hoped, with discoveries. He becomes a voyager.' Teddy Vessel is from a period in which Walsh experimented with glass production, working with Miles Johnson at his glass studio in Richmond, Melbourne. Treating each glass surface as a canvas, Walsh drew directly onto the vessel in a hot glass technique. The fluid nature of the molten glass gives the figures a moving and floating feeling that adds to the dreamlike quality of the imagery. A skeleton, a large eye, a dog, and man seem to animate as they move round the form. Walsh worked as a Drawing Lecturer at the Victorian College of the Arts, and a Painting Lecturer at the Canberra School of Art, in addition to his painting practice. His work is included in a number of key collections including those of the National Gallery of Australia, Canberra; the National Gallery of Victoria, Melbourne and Benalla Regional Art Gallery.",
"img_url":"https://digisoln.com/resources/glassartworks/10601jpeg.JPG"
},
10569: {
"title":"Flat Form copper ruby",
"artist":"Brian Hirst",
"year":2000,
"short_desc":"Blown glass, gold, silver, copper",
"sizing_cm": {
"width":36,
"height":47,
"depth":10
},
"series":[],
"currently_available": False,
"rental_annual_AUD":1155,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10569jpeg.JPG"
},
10568: {
"title":"Flat Form cobalt",
"artist":"Brian Hirst",
"year":2000,
"short_desc":"Blown glass, gold, silver, copper",
"sizing_cm": {
"width":35,
"height":54,
"depth":18
},
"series":[],
"currently_available": False,
"rental_annual_AUD":1210,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10568jpeg.JPG"
},
10557: {
"title":"Untitled",
"artist":"David Hay",
"year":2000,
"short_desc":"Blown glass",
"sizing_cm": {
"width":24,
"height":37,
"depth":24
},
"series":[],
"currently_available": False,
"rental_annual_AUD":220,
"long_desc":"An engineering graduate from the University of Western Australia, David Hay (b.1961) became fascinated with glass blowing in Australia, and travelled to Britain and Holland to study the art form. Exploring the dramatic contrasts of the North Western Kimberly region in the series of work 'Landscape', Hay has become well known for his particular style, exemplified in this work 'Untitled'. Living and working in Perth, Hay manages the Edith Cowan University's glass studio and has been a finalist in the prestigious Ranamok Galls Prize in 2002, 2003 and 2005.",
"img_url":"https://digisoln.com/resources/glassartworks/10557jpeg.JPG"
},
10309: {
"title":"Flame Series - Blue Cone",
"artist":"Maureen Williams",
"year":1999,
"short_desc":"Free blown glass",
"sizing_cm": {
"width":17,
"height":41,
"depth":17
},
"series":[],
"currently_available": False,
"rental_annual_AUD":165,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10309jpeg.JPG"
},
10308: {
"title":"Meridien Vase",
"artist":"Brenden Scott French",
"year":2000,
"short_desc":"Blown glass",
"sizing_cm": {
"width":19,
"height":45,
"depth":19
},
"series":[],
"currently_available": False,
"rental_annual_AUD":165,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/10308jpeg.JPG"
},
10307: {
"title":"Opaque spirale vase",
"artist":"Matthew Larwood",
"year":2000,
"short_desc":"Blown glass",
"sizing_cm": {
"width":10.5,
"height":36,
"depth":16.5
},
"series":[10307,10306],
"currently_available": True,
"rental_annual_AUD":220,
"long_desc":"Adelaide based glass artist Matthew Larwood (b.1968) engages with themes that he describes as \"progressive imagery\" and \"morphology, the art of subtle change.\" Larwood employs techniques in his production that echo mass production, yet at the same time are affected by the subtle changes and spontaneity of the hand made.",
"img_url":"https://digisoln.com/resources/glassartworks/10307jpeg.JPG"
},
10306: {
"title":"Opaque spirale bowl",
"artist":"Matthew Larwood",
"year":2000,
"short_desc":"Blown glass",
"sizing_cm": {
"width":23,
"height":15,
"depth":37
},
"series":[10307,10306],
"currently_available": True,
"rental_annual_AUD":220,
"long_desc":"Adelaide based glass artist Matthew Larwood (b.1968) engages with themes that he describes as \"progressive imagery\" and \"morphology, the art of subtle change.\" Larwood employs techniques in his production that echo mass production, yet at the same time are affected by the subtle changes and spontaneity of the hand made.",
"img_url":"https://digisoln.com/resources/glassartworks/10306jpeg.JPG"
},
10016: {
"title":"Flat Form",
"artist":"Brian Hirst",
"year":1998,
"short_desc":"Blown glass with gold and silver",
"sizing_cm": {
"width":28,
"height":50,
"depth":13
},
"series":[],
"currently_available": True,
"rental_annual_AUD":220,
"long_desc":"Brian Hirst works between two and three dimensions, combining blown glass and metals in unique and unusual ways. The Sydney based artist creates pieces that are at once objects and surfaces, reflecting his dual interests in glass sculpture and printmaking. In 'Flat Form', the artist has combined common and precious materials in a simple, elegant form. Gold and silver leaf are suspended in blown glass to produce an abstract composition beneath the opaque surface. Hirst references a range of histories and cultures in his work, from ancient Cycladic stone sculpture to Japanese aesthetic sensibilities of balance and harmony. A multi-award winning artist, Hirst has designed and produced the Sydney Peace Prize statue since 2005, and was named a Master of Australian Crafts by Craft Australia and Object: Australian Centre for Craft and Design in 2008.",
"img_url":"https://digisoln.com/resources/glassartworks/10016jpeg.JPG"
},
9983: {
"title":"Tall vase, blue stripes",
"artist":"Nick Mount",
"year":1998,
"short_desc":"Blown glass",
"sizing_cm": {
"width":20,
"height":40.5,
"depth":14
},
"series":[],
"currently_available": False,
"rental_annual_AUD":220,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/09983jpeg.JPG"
},
9978: {
"title":"Sequential Rupture",
"artist":"Richard Whiteley",
"year":1998,
"short_desc":"Cast and hand polished glass",
"sizing_cm": {
"width":32,
"height":87.5,
"depth":32
},
"series":[],
"currently_available": False,
"rental_annual_AUD":1045,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/09978jpeg.jpg"
},
9598: {
"title":"Middle yellow vase",
"artist":"Ben Edols, Kathy Elliott",
"year":1997,
"short_desc":"Blown and sandblasted glass",
"sizing_cm": {
"width":13,
"height":43,
"depth":13
},
"series":[9598,9597,9596],
"currently_available": True,
"rental_annual_AUD":550,
"long_desc":"Ben Edols and Kathy Elliott are Sydney based artists who met while studying in the renowned glass workshop at the ANU School of Art in Canberra in the early 1990s. They have been collaboratively making glass works since 1993, influenced by Venetian modernist glass, they worked in the United State of America after graduating, travelling widely to exhibit, teach and undertake various residencies. On returning to Australia, they contributed to a revitalisation of the Australian glass art scene. Edols is known internationally as a master glass blower and has worked with some of the world's best glass artists. Elliott is known for her innovative use of 'cold work' in their collaborative vessels, achieving their luminous surfaces that play with the refracted light, with a variety of stone or diamond embedded grinding tools.",
"img_url":"https://digisoln.com/resources/glassartworks/9598jpeg.jpg"
},
9597: {
"title":"Tall burgundy vase",
"artist":"Ben Edols, Kathy Elliott",
"year":1997,
"short_desc":"Blown and sandblasted glass",
"sizing_cm": {
"width":13,
"height":54,
"depth":13
},
"series":[9598,9597,9596],
"currently_available": True,
"rental_annual_AUD":550,
"long_desc":"Ben Edols and Kathy Elliott are Sydney based artists who met while studying in the renowned glass workshop at the ANU School of Art in Canberra in the early 1990s. They have been collaboratively making glass works since 1993, influenced by Venetian modernist glass, they worked in the United State of America after graduating, travelling widely to exhibit, teach and undertake various residencies. On returning to Australia, they contributed to a revitalisation of the Australian glass art scene. Edols is known internationally as a master glass blower and has worked with some of the world's best glass artists. Elliott is known for her innovative use of 'cold work' in their collaborative vessels, achieving their luminous surfaces that play with the refracted light, with a variety of stone or diamond embedded grinding tools.",
"img_url":"https://digisoln.com/resources/glassartworks/9597jpeg.jpg"
},
9596: {
"title":"Tall yellow vase",
"artist":"Ben Edols, Kathy Elliott",
"year":1997,
"short_desc":"Blown and sandblasted glass",
"sizing_cm": {
"width":24,
"height":48,
"depth":24
},
"series":[9598,9597,9596],
"currently_available": True,
"rental_annual_AUD":550,
"long_desc":"Ben Edols and Kathy Elliott are Sydney based artists who met while studying in the renowned glass workshop at the ANU School of Art in Canberra in the early 1990s. They have been collaboratively making glass works since 1993, influenced by Venetian modernist glass, they worked in the United State of America after graduating, travelling widely to exhibit, teach and undertake various residencies. On returning to Australia, they contributed to a revitalisation of the Australian glass art scene. Edols is known internationally as a master glass blower and has worked with some of the world's best glass artists. Elliott is known for her innovative use of 'cold work' in their collaborative vessels, achieving their luminous surfaces that play with the refracted light, with a variety of stone or diamond embedded grinding tools.",
"img_url":"https://digisoln.com/resources/glassartworks/9596jpeg.jpg"
},
9419: {
"title":"Returning Series, E",
"artist":"Liz Coats",
"year":1996,
"short_desc":"Fused glass pigments",
"sizing_cm": {
"width":88.5,
"height":23,
"depth":5
},
"series":[],
"currently_available": False,
"rental_annual_AUD":275,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/09419jpeg.1280x1280.jpg"
},
8958: {
"title":"Power dressing",
"artist":"Deborah Cocks",
"year":1995,
"short_desc":"Slumped, enamelled glass",
"sizing_cm": {
"width":58,
"height":10,
"depth":58
},
"series":[],
"currently_available": True,
"rental_annual_AUD":385,
"long_desc":"Deborah Cocks is regarded as one of Australia's foremost exponents of reverse glass painting. Drawing on a long tradition of European painted glass, in Power Dressing, the decoration is achieved with a succession of painting, scraping, firing and engraving techniques. Firstly, black enamel is coated onto the base of the platter or bowl, this is allowed to dry to a consistency that can be scraped away to leave the bold outline of the design. She says of her work: \"The ... pieces I paint are vignettes of life ... morsels of the richness of simple things ... some tell a story. Some just show a simple, real depiction. Hopefully all show joy and hope.\" Cocks has participated in many exhibitions in both in Australia and the UK, Japan and The Netherlands. Cocks is represented in the Wagga Wagga City Art Gallery; Tweed River Regional Art Gallery; Queensland Art Gallery; Art Gallery of Western Australia and Government House in Sydney.",
"img_url":"https://digisoln.com/resources/glassartworks/08958jpeg.JPG"
},
8473: {
"title":"Untitled",
"artist":"Maureen Williams",
"year":1994,
"short_desc":"Blown glass",
"sizing_cm": {
"width":27,
"height":21,
"depth":9
},
"series":[],
"currently_available": False,
"rental_annual_AUD":165,
"long_desc":"Maureen Williams uses the blown glass vessel as a three-dimensional canvas for her abstract paintings and as a vehicle to express personal narratives. The colours are ordered to provide visual and technical balance, with each piece of colour individually applied to a clear glass parison using a torch and tweezers. Each is slowly melted in, joined to form the coloured abstract image, then free blown. \"The interaction of the shapes\" says Williams, \"is based on the transitional nature of relationships, a metaphor for social interaction.\"",
"img_url":"https://digisoln.com/resources/glassartworks/08473jpeg.JPG"
},
8472: {
"title":"Untitled",
"artist":"Maureen Williams",
"year":1994,
"short_desc":"Blown glass",
"sizing_cm": {
"width":25,
"height":18,
"depth":7
},
"series":[],
"currently_available": False,
"rental_annual_AUD":165,
"long_desc":"Maureen Williams uses the blown glass vessel as a three-dimensional canvas for her abstract paintings, and as a vehicle to express personal narratives. The colours she selects are arranged to provide visual balance, with each individually applied to a clear glass parison using a torch and tweezers, and free blown. \"The interaction of the shapes is based on the transitional nature of relationships,\" explains Williams, \"a metaphor for social interaction.\"",
"img_url":"https://digisoln.com/resources/glassartworks/08472jpeg.JPG"
},
8070: {
"title":"Untitled (Cone)",
"artist":"Nick Mount",
"year":1992,
"short_desc":"Blown glass",
"sizing_cm": {
"width":16,
"height":49,
"depth":16
},
"series":[8070,8069],
"currently_available": False,
"rental_annual_AUD":440,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/08070jpeg.JPG"
},
8069: {
"title":"Untitled",
"artist":"Nick Mount",
"year":1992,
"short_desc":"Blown glass",
"sizing_cm": {
"width":17,
"height":49,
"depth":17
},
"series":[8070,8069],
"currently_available": False,
"rental_annual_AUD":440,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/08069jpeg.JPG"
},
8027: {
"title":"Untitled",
"artist":"Maureen Williams",
"year":1991,
"short_desc":"Blown glass",
"sizing_cm": {
"width":14,
"height":27,
"depth":165
},
"series":[],
"currently_available": False,
"rental_annual_AUD":165,
"long_desc":"Maureen Williams uses the blown glass vessel as a three-dimensional canvas for her abstract paintings and as a vehicle to express personal narratives. The colours are ordered to provide visual and technical balance, with each piece of colour individually applied to a clear glass parison using a torch and tweezers. They are slowly melted in, joined to form the coloured abstract image, and free blown. 'The interaction of the shapes says Williams, 'is based on the transitional nature of relationships, a metaphor for social interaction,'",
"img_url":"https://digisoln.com/resources/glassartworks/08027jpeg.JPG"
},
8026: {
"title":"Untitled",
"artist":"Maureen Williams",
"year":1991,
"short_desc":"Blown glass",
"sizing_cm": {
"width":23,
"height":21,
"depth":7
},
"series":[],
"currently_available": True,
"rental_annual_AUD":165,
"long_desc":"Maureen Williams uses the blown glass vessel as a three-dimensional canvas for her abstract paintings and as a vehicle to express personal narratives. The colours are ordered to provide visual and technical balance, with each piece of colour individually applied to a clear glass parison using a torch and tweezers. They are slowly melted in, joined to form the coloured abstract image, and free blown. \"The interaction of the shapes\" says Williams, \"is based on the transitional nature of relationships, a metaphor for social interaction.\" Williams works from her studio in St. Kilda, Melbourne which she set up in 1993, and has become established as a leading glass artist. She has exhibited widely, including exhibitions in Australia, USA and Germany. Her work is held in many private collections both in Australia and internationally.",
"img_url":"https://digisoln.com/resources/glassartworks/08026jpeg.JPG"
},
7998: {
"title":"Four Seasons Vase",
"artist":"Setsuko Ogishi",
"year":1991,
"short_desc":"Glass",
"sizing_cm": {
"width":14,
"height":27,
"depth":14
},
"series":[],
"currently_available": True,
"rental_annual_AUD":165,
"long_desc":"",
"img_url":"https://digisoln.com/resources/glassartworks/07998jpeg.JPG"
},
7763: {
"title":"Untitled",
"artist":"Maureen Williams",
"year":1992,
"short_desc":"Blown glass",
"sizing_cm": {
"width":9,
"height":31,
"depth":15
},
"series":[],
"currently_available": True,
"rental_annual_AUD":165,
"long_desc":"Maureen Williams uses the blown glass vessel as a three-dimensional canvas for her abstract paintings and as a vehicle to express personal narratives. The colours are ordered to provide visual and technical balance, with each piece of colour individually applied to a clear glass parison using a torch and tweezers. They are slowly melted in, joined to form the coloured abstract image, and free blown. \"The interaction of the shapes\" says Williams, \"is based on the transitional nature of relationships, a metaphor for social interaction.\" Williams works from her studio in St. Kilda, Melbourne which she set up in 1993, and has become established as a leading glass artist. She has exhibited widely, including exhibitions in Australia, USA and Germany. Her work is held in many private collections both in Australia and internationally.",
"img_url":"https://digisoln.com/resources/glassartworks/07763jpeg.JPG"
}
}